National Museum Cardiff (Welsh: Amgueddfa Genedlaethol Caerdydd) is a museum and art gallery in Cardiff, Wales. The museum is part of the wider network of Amgueddfa Cymru – National Museum Wales (formerly the National Museums and Galleries of Wales). Entry is kept free by a grant from the Welsh Assembly Government.
The National Museum of Wales was founded in 1907, when it inherited the collection of the Cardiff Museum, which shared the building of Cardiff Central Library. Construction of a new building in the civic complex of Cathays Park began in 1912, but owing to the First World War it did not open to the public until 1927. The architects were Arnold Dunbar Smith and Cecil Brewer, although the building as it now stands is a heavily truncated version of their design.
The museum has collections of archaeology, botany, fine and applied art, geology and zoology.
The collection of Old Master paintings in Cardiff includes, among other notable works, The Virgin and Child between Saint Helena and St Francis by Amico Aspertini, The Poulterer's Shop by Frans Snyders and A Calm by Jan van de Cappelle. A collection of landscape paintings in the classical tradition includes works by Claude, Gaspard Dughet, Salvator Rosa and two works by Nicolas Poussin: The Funeral of Phocion and The Finding of Moses (the latter owned jointly by the Museum and the National Gallery, London). These works prefigure the career of the Welsh-born Richard Wilson, called "the father of British landscape painting". In 1979 four cartoons for tapestries illustrating scenes from the Aeneid were bought as works by Peter Paul Rubens, but the attribution is now disputed.
There is a gallery devoted to British patronage of the eighteenth century, in particular that of Sir Watkin Williams Wynn, who was nicknamed 'the Welsh Medici' for his lavish spending on the arts. Included is a portrait of Williams-Wynn in Rome with fellow Tourists by Pompeo Batoni, one of his second wife by Sir Joshua Reynolds and his chamber organ designed by Robert Adam. Other paintings of note from this period is a portrait of Viscountess Elizabeth Bulkeley of Beaumaris as the mythological character Hebe, by the 'sublime and terrible' George Romney, and Johann Zoffany's group portrait of Henry Knight, a Glamorgan landowner, with his children.
The collection of French art assembled by Margaret and Gwendoline Davies, granddaughters of the wealthy industrialist David Davies bequeathed to the National Museum in the 1950s and 1960s, make Wales's National Gallery one of international standing. It includes the largest group of paintings by Honoré Daumier in the world and the most important by Jean-François Millet in Britain. Works by Claude Monet include San Giorgio Maggiore at Dusk and examples form his Rouen Cathedral and Water Lilies series. Post-impressionism is represented by Van Gogh's late work Rain at Auvers, and by Paul Cézanne's The François Zola Dam, the first painting by the artist to be displayed in a British public collection. The two most famous works in the Davies Sisters' collection are La Parisienne by Pierre-Auguste Renoir, exhibited in the First Impressionist Exhibition, and a version of Rodin's Kiss cast in bronze.
The art gallery has works by all of the notable Welsh artists, including landscapes by Richard Wilson and the pioneering Thomas Jones. There is a considerable body of work by John Gibson, Queen Victoria's favourite sculptor, and major paintings by Augustus John and his sister Gwen John, including the former's famous image of Dylan Thomas. Ceri Richards is well represented. The artistic output of David Jones is well-represented, but seldom on display owing to the fragile nature of his works on paper. Wales's most prominent contemporary painter, Sir Kyffin Williams (1918–2006), also features in the collection.
The collection of 20th century art includes works by sculptors Jacob Epstein and Eric Gill and painters including Stanley Spencer, the British Impressionist Wynford Dewhurst, L. S. Lowry and Oskar Kokoschka. Works by contemporary artists are on rotational display, including those by Lucian Freud, Francis Bacon, Frank Auerbach and Rachel Whiteread.
This exhibition will explore how the poppy became the symbol for remembrance, and provide an opportunity for contemplation and reflection on loss and recovery. Poppies for Remembrance will also look...
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