For Stanisław August, art was not just an aesthetic decoration of his residence. Paintings, sculptures, and architecture were part of the programme which encompassed political, social, and economic matters, and whose goal was to repair the Republic and foster national identity. Fine arts were a means of “shaping the nation’s spiritual culture”, and thus they should contribute to the nation’s revival.
Paintings, sculptures, prints – combined with architecture – formed a complete object of art, which, in virtue of the King’s concept conceived in 1792, was to become the first modern public museum.
Subsequent fate of the Collection
The paintings, whose arrangement in respective rooms of the Palace has been studied on the basis of the inventory from 1795, most likely hanged there in such arrangement in the years 1793-1795. However, in the late 1795, on the demand of the King, who stayed in Grodno following his abdication, Bacciarelli needed to change their layout: he took off and packed into chests a number of paintings, which the King wanted to take to Grodno, and later to Rome, where he planned to settle.