The Correspondence of Heloise and Abelard: Love, Friendship and Philosophy in the Middle Ages
The blog is a part of the Rise of Literacy project, where we take you on an exploration of literacy in Europe thanks to the digital preservation of precious textual works from collections across the continent.
Left: Portrait of Peter Abelard, engraving by Charles Mauduit based on Le Carpentier, 1820, Bibliothèque nationale de France, No Copyright – Other Known Legal Restrictions; Right: Portrait of Heloise d’Argenteuil, 19th century engraving, Österreichische Nationalbibliothek, public domain
What led to the most famous medieval correspondence? A thwarted love affair! The passionate relationship between Abelard and Heloise in 12th-century France was well-known even in the Middle Ages and has remained popular ever since.
A Legacy of Love …
The scholastic philosopher and theologian Peter Abelard, described by Peter the Venerable as ‘the Socrates of France, the sublime Plato of the West, our Aristotle’, was as brilliant as he was controversial. His thought and works on morality, theology and dialectic were of great importance. Besides these contributions, he is also remembered as the castrated lover of Heloise d’Argenteuil.
The story of their passion has made Heloise and Abelard one of the great couples of legend: their correspondence was quoted as early as the 13th century by Jean de Meun in the Romance of the Rose, and François Villon mentioned it in 1461 in his Ballade des dames du temps jadis, which was set to music in 1953 by Georges Brassens.
François Villon, ‘Ballade des dames du temps jadis’, 1461,
Bibliothèque nationale de France, No Copyright – Other Known Legal Restrictions
In Modern French, the poem reads: ‘Où est la très sage Héloïs, Pour qui fut châtré et puis moine Pierre Esbaillart à Saint-Denis ? Pour son amour eut cette peine.’
Villon’s poem was translated into English in 1870 by Dante Gabriel Rossetti as The Ballad of Dead Ladies:
Where’s Heloise, the learned nun,
For whose sake Abeillard, I ween,
Lost manhood and put priesthood on?
(From Love he won such dule and teen!)
Their story tells of the love that grew between one of the greatest minds of the early 12th century, then 40 years old, and his brilliant 18-year-old student. The affair led to their secret marriage and the birth of their son, Astrolabe. However, it also caused conflict with Heloise’s family and resulted in Fulbert, a powerful canon in Paris, giving the order for Abelard to be castrated as punishment.
The story of Heloise and Abelard, Epinal print, 1842,
Bibliothèque nationale de France, No Copyright – Other Known Legal Restrictions
… of an Exceptional Couple
The Letters of Two Lovers (Epistolae duorum amantium) were discovered in the 15th century, but lay forgotten until the 20th century. Some scholars have recently attributed them to Heloise and Abelard, believing these letters could be the passionate correspondence of their youth. Better known are the letters translated by Bussy-Rabutin in the 17th century. These were exchanged after the lovers’ forced separation and their later entry into religious life, when Heloise was abbess of the Paraclete and Abelard a monk in Saint-Denis.
The Parting of Abelard and Eloisa, engraving by Gawrila Skorodomoff based on Angelica Kauffman, 4th quarter of the 18th century, Teylers Museum, CC BY-NC
The oldest letter from Heloise to Abelard in this collection was written nearly 20 years after she entered the convent. She seeks to resume their past relationship while at the same time encouraging him to focus on faith and religion. In this exchange, where Heloise truly exists as Abelard’s lover and wife in only five letters that have been preserved, the former lovers discuss Benedictine rule and Heloise in particular provides a critical reflection on monastic life.
To continue celebrating a love story that took place a thousand years ago, why not visit the tomb where Heloise and Abelard have been reunited, finally and forever, in the Père Lachaise Cemetery in Paris?
Tomb of Heloise and Abelard in the Père Lachaise Cemetery, Paris, photograph by Eugène Atget, 1901,
Parisienne de Photographie, public domain
By Monique Calinon
Department of Literature and Art, National Library of France
