This exhibition explores the career of Grant Featherston, arguably Australia’s most significant modernist designer, and his partnership with Mary Featherston, who is renowned for her design for children. Beginning with the question of what stimulated a country boy to become a designer in the late 1930s, it charts Featherston’s rise to celebrity status in the 1950s and how his work captured the imagination of ordinary Australians in their quest to be modern. Tracing his explorations of new materials and technologies and production of innovative furniture throughout the 1960s and 70s, the exhibition and accompanying publication highlight the holistic nature of his practice, which included interiors, exhibitions, photography, glass, sculpture and promotional design.
An unapologetic idealist, Grant Featherston believed design should benefit all and campaigned for professional, aesthetic and environmental standards. He shared this vision of design for life and social responsibility with his partner Mary, with whom he established Featherston Design in 1965. Beginning with the Montreal 1967 Expo Chair they focused on culturally and socially significant projects, and experimented with the potential of plastics to produce beautiful, affordable design for all.
The home of John and Sunday Reed between 1935 and 1967, the Heide I cottage was a hub of progressive thinking and modernist ideas that centred on art, but which extended to literature, politics and...
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